The development of the script and ideas My runneth in many

The development of the script and ideas My runneth in many Recently, I began to write film scripts and a group here in Las Vegas. Our goal was to start, the beginning of the process and work through an assembly line. Simple? Yes! It 'really? Not at all.The one thing that I encountered from the outset the problem was to demonstrate the development of an idea into something that could be used as material scenario. The big question is: what is the difference between a problem and screenplay material? "The only answer I could devise was" a beginning, middle and end. "They looked as if I'm joking, but in reality, are simply not.Put, a scenario is a story told with dramatic images and dialogue. The scenario describes the actions, the environment, dialogue and situations that history going forward. Scripts are a formula and a format that has been established for many decades. However, the beginning writer is not always the point. I came across a colleague a few months ago, who wrote a screenplay that was "325 pages" long! After the debate, started to realize that instead of writing a screenplay, is a novel with a story that meandered end.You can use without any idea of your history, but they have a point. Do not write just for the pleasure of writing, as the story meanders around in a traffic jam. If you have an idea, a theme or purpose for history. What is the point? What is the purpose of the main character of "life"? Life? A human life? In fact, the character has a life in the world is created, but it is not a scenario of "real life". This is a metaphor for real life, presented in order to represent a particular theme. To write about a real situation, you have to dissect the situation and find the thread. Then, using this theme as a guideline, we must trace the original idea to best represent the theme. Indeed, some aspects of the real history can be fictionalized guide point.For for example, my wife works in a medical scenario on debauchery in Nevada. After several passages, he began to realize that history roaming around in a circle because of the many facets of the topic. After a long training, he began to realize that he had to define a particular point and purpose of history. As a side effect, the physical problems of history is the engine that runs around the plot to reach the "point". After the reading and writing of scripts over the years, gave me some tips to help people who usually them redefine and direct their stories to a solid. One of the main problems, which I repeat here, is necessary to "define a point." For example, one could arrive at an idea that has a lot of "cool" actions and situations. We then try to write a story to include these ideas because we want to be in history. But this approach is not usually because --- what is the point? Define a point, a theme, a goal that includes the meaning and significance of these "cool" actions and situations and for your story in this direction.To help resolve the "meandering" and the problem l ' evolution of history, to the point, create a story of its main character is the face that is easily and quickly reached its goal. No dialogue. N. rhyme or reason. I have come to realize their goal, without effort or conflict. It 'annoying, but does not create a basis for history. When you are satisfied with this line, the addition of a story that has made this feature has a significance for the main character. This also means that you must change the environment and the characteristics of your character so that, for him, that means something. Now, with a call to action, he pursued his goal with fervor! Now, to add a barrier that prevents him from achieving this goal. This means that somewhere in the history of the main character, this barrier has been created, but is now an obvious problem in achieving its objective. It could be a defect of character, an evil, or any problem that blocks the main character of his goal. How can you overcome this obstacle? Again, an amendment and Backstory is needed to demonstrate its ability to overcome this obstacle, and a certain level of action to make the story so.Once base is solid and done, you add a conflict, torsion, and a resolution , one step at a time until you begin to see your character and story evolve. With a history in your hand, you can now add your dialogue to advance the story, but only as needed. With this approach, slowly, you can build your story, keeping your "point" in mind and in the form of a solid screenplay. It is essential that you keep an eye on the subject and purpose of history and that you work in this direction, otherwise your story will wander aimlessly. Keep it tight, start late, leave early, and follow the three act formula. Ultimately, the script will be a solid story and professional appeal that the producers are trying to create today is interesting, original films! --- --- About the Author Edward B. Toupin is an author, publisher, life-strategy coach, counselor, Reiki Master, technical writer, and PhD Candidate living in Las Vegas, NV. Among other things, that the authors of books, articles and stories on topics ranging from career success in life, and organization. Check out some of her latest e-books and print, and articles on various subjects to change their lives! The author for more information and to know the title on his forthcoming book, e-mail to Edward etoupin@toupin.com or visit their website (c) 2004 Edward B. Toupin